P2P | STEREO: 1.8 GB | SURROUND: 4.54 GB

DESIGNING THE SILENCE
QUIETUDES is part of the most important tools in on M \ H .ur daily sound desigj G L k qn work: QUIETUD3 ? uES are ambiences that occur at or near tt j _ g G N Uhe threA y | O gshold of human hearing and provide one of the most valuable resources in the studio.

A VALUED POSTPRODUCTION UTILITY
These faintest of all. } C 1 ambiences are remarkably) M o O 5 } usef~ m .ul id # )n audio production – fN G q a Z Rrom replacing digital silence, restoring frequency lost in processed filC m D Y k 5 g ? ^es, to naturalizing cultural ambiences and increasing the dy! x @ M F a R #namic range of your production, applying QUIETUDES will soon become a key, everyday part of your routine. Tn n $ I khe noblest application of QUIETUDES will be the raising of your audies } ? l } i . { 9n* ! 8 : & \ E \ce’s awareness of the eloquence of silence.

GET T% b H & aHE SURROUND EXPEW y Z m y YRIENCE
Surround ambiences are the closest approach to nature’s true and original vivid sound. Once given theW _ 4 3 X opportunityR # ; n o to unfold their true acoustic potential, these fabulous 5.0 surround recordings will surely keep you from accepting anyi O z v r less in the future.

WHAT WE RECORDED
QUIETUDES contains 101 valuable files recorded in different natural environments (e.g. forests, dese} & ! P 0 mrts, praries, canyons,1 – p ; v ss 8 t Lhores, etc.) to provide you with a broad palette of high-quality sound ambiences. Each file has an adequate playtime to loop it without sounding repetitive.

WHAT’S SO SPEQ K e | 6CIAL ABOUT THIS LIBRARY
Say you have a recording of a birdsong, wolf howl, or lighteningg W 4 e @ 9 ) crack that was recorded closS n 1 K _ N De-up, and you wish to use it as/ 2 [ X ~ b a featured event so that every detak R {il can be appreciated. T\ F ( t qrouble is, unless you provide some kind of bk S : + 2 2ackground, the recording will sound ung+ \ 9rounded and fake, as if the animal or weather event was i\ ` qn outer space. Every sound needs a home.# w s ) a Youi y c [ ` G will want to add Quietudes from a suitable hak d 7 } # , &bitat to maintain a sense of place in your productioq n 3n.

ENVIRONMENTAL AD + % j ) O e ^CTIVIST & EMMY-WINNER
All of the nature sounds in the QUIET PLANET Nature SFX series wj t K 1 j + Qere recorded by Gordon Hemptonz 5 + 2 . N E a o, The Sound Tracker, Emmy-winner, author of One Square Inch of Silence, and environm] m 7 7 _ R 7 Mental activist. Faced witx _ : G F U Ph habitat loss, species extinction and most o? w s 5f all unbridled noisw H Q t ,e pollution, Hempton has now turned his attention towardsY P D K g b 6 , saving the world’s few remaining natural amphitheaters.

COMPATIBLE SOFTWARE
BOOM Library sound FX come as WAV files,o E , O i meaning you can import and work with thp + % r | ^ m $ zem in any software that can handle this file type. Here are the most common audio and video editing software tools that work pery X d I O n o ] Rfectly with our sound FX.

RICH METADATA EMBEDDB l 8 5 VED
To provide you wi* & % ; k U e a vth the fastest af D d C 5 9nd easiest workflow9 o 4 F 4 possible, all files contain extensive metadata like file description & keywords to quick/ 0 N k z 9 p 0 =ly find the sounds you’re) * E p : I s q b looking fom O D q a & \ R yr. Metadata can be read and processed by audio management tools. Some digital audio workstations fea4 u ~ } k n hture an included search tool that can also read embeB q 3 k \ R G B Bdded metadata.

% C & x – a F一听Demo:

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