Surround Edition: P2P | 70.11 GB | Stereo Edition: P2P | 17.63 GB

URBAN EUROPE – 3D SURROUND AMBIENCES
We recorded cities1 s X O h and towns in over 10 European countries tC $ ao capture thei@ o \ ]r unique character.
Thh 0 |is collection is an essential addition to our URBANs M c w USA 3D Surround library.

EnH l & g | ) C @ Zjoy Europe with its rich variety of sound palettes throughout all different countries from city to city.

The s9 J i ; b + ^ounds come without much action in the foreground to provide a very clear and detailedm } 0 J acoustJ Q 0 A 3ic image of each environmea W (nt, giving you the perfed & F j a Y V Mct background noise layer to break the silence in your post production project.

The recorded locations v. ! a W nary from streets and restaurants over squares,# P v ` K S [ } D harbors, markets, commercial areas, parks, and busy shopping areas to industrial zones and constrq u | q m # r # Duction sites. This library can easily be used in stere5 Y D ` Z n T Lo productions as well. Either choose the listening angle yourself or use the stereo version (iC = M s Z –ncluded in 3D SURROUND).

CLEAN AND PRODUCTION READY
URBA~ e M J H ^N EUROPE is a highly versatile ambience library that smoothly adapts to a wide range of applications.

It offers a large selection of gi 8 _ l 9eneric ambiences t; { v k L ^ /o blend into many different contexts as well as specifically recogni– Y % y * \ b ^ dzaY % R ! o O g Sble locations delivered with maximum ay # J guthenticity.

FRAME YOUR SCENE
Ambiences are an excellent tool to est] q T M E a e } 1ablish the* D 1 mood of a scene, level, or location. With URBAN EUROPE, this becomes a simple and rewarding task: Choose from the large pool of well c^ e ; ( a Rategorized ambiences availa^ – _ y b & K T mble.

From ultra-silent to lively, confined to wide opA \ N E s ` F Z Zen, dry and close to reverberant – eS ( \ m 8 $ cveryg ? 5 R ; : p O ,thingu l c delivered in an immersive 3D audio format that’s also backw\ + ` garp w ~ F , + ~ \ #d compatible.

To increase your mileage with the library even further, the average sound is 3-5 minutes long.

ENTER A NEW ERA OF SURROUND SOUND FX LIBRARIES
SUITABL0 u – 7 ] 3 UE FOF S 4 i ] wR ANY SURROUND APPLICATION, EVEN AND ESPECIALLY IMMERSIq 7 \VE AUDIO LIKE AURO 3D, DOLBY ATMOS, 360 VIDEOS AND VR

URBAN EUR: X { = S KOPE is the fifth product of our famous new sound effect series 3D SURROUND. It continues a new ej & ( f t W fra of surround sound FX libraries with unprecedented precision, spatial impressioE 8 &n and c* \ P I f 6larity. 3D Surround delivers better results where conventional surround techniques reach) – Y 6 \ | P # M their lim\ E + H .its. This occut K \ wrs especially, although not exclusively, in= # Y f ] VR, where events must sound 100% convincing depeK # x G n 0 Y snding on the rotation and tilt of the user’s head. With our new 3D SURROUND series, you are ideally equiN O 4 8 @ : $pped for not+ 7 _ Y c G 4 ; \ only VR, but any other application that requires high-definition and crystal-I z { = s c r Jclear surround sound.

WHAT IS SO SPECIAL ABOUT 3D SURROUND
3D Surround has two1 } s enormous advantay : ( U # .ges over conv– ! 3 = u 5 o ; =entional surround sound. On the one hand, individual sound sources can be located much better and more clearly with 3D Surround. On the other hand, 3D Surround also reflects height diffec Q L 3 K B q trences much better. This results in a more extensive and much clearer sound image in a qua[ f olity that cannot bZ X z j (e achieved wV $ ? v x 0 6ith conventional surround sound.

THE 3RD DIX ^ \ + T {MENSION – SUITED FOR VR & DOLBY ATMOS` W Y 7 `
3D SurrounZ k M 5 V V )d adds a height layer as a third dimension comp2 8 O E yared to regular surround. The sol K a , 3und not only reaches the listener’s ear from the side, but also from above. This results in a much better localisation of the sound source and a muc$ ] q *h more immersive listening experience which makes it the perfect surround type for VR applications and Dolby Atm; ( ] U Jos.

RECORDED WITH TH( 9 \ RE MOST ADVANCED TECHNOLOGY
Our 3D Surround lq ` = W b O ) 3ibraries are recorded with the highly-acclaimed SCHOEPS ORTF-3D setup, a cuboid 8ch level/time differenceo ~ L A . 8 L / / ambience setup. The main benefit is an additional height layer compared to regular surround recording setups. It co( o ` &nsists of 8 supercardioid microphones.

The height layer off+ , x s _ers a much wider range of spatial sound effects and a more realistic three-dimensional reproduction. Therefore, it provides a clearer representatiN 5 . e = 4 ; 1 von of spatial depth,} d \ 0 . a more natural surround impression, improved envelopment, and an authentic feelL Z ! e m e _.

COMPATIBLE SOz M 7 ` : 9 gFTWARE
BOOM Library sound FX come as WAV files, meaning you can i! n Z 8 u 2mport and work with them in any software that can handle this file type. Here arG c N e L # )e the most common audio and vi; t Y C m X % adeo editE r | / d 3ing software tools that work perfe^ N @ Ictly with our sound FX.

RICH MET] ? r r N 2ADATA EMBEDDED
To provide you with tV [ H /he fastest and easiest workflow possible, all files contain extensive metadata like file description & keywords to q3 n 2 8 Wuickly find the sounds you’re looking for. Metadata can be rw w – z L 6ead and processed by audio management tools. Some digital audio workstat# 6 _ =ions feature an included search tool that can also read embedded metadata.

EUROPEAN CITY & TOWN AMBIENCES IN IMMERSIVE 3D

Strengthen your productions with characteristic, iO | H Y x u BntimV t 1 k p oate and authentic EurH ; a q [ | vopeS \ Q / T F [ Y fan city ambiences including:
– Daytimes & Seasons
– Historical Places
– Cultural Sites
– Transpo@ + ( = ?rtation & Traffic
– People
– Industrial
– Abstract
– CommerM ) $ ? o P Zcial
– Natural Environments
– Location Perspectives

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