Surround : P2P | 6.32 GB | Stereo: Team MAGNETRiXX | 1.84 GB
WATER IN MOTION, AS PURE AND NATURAL AS IT GETS
This collection con5 o vtains 121 beautiful recordings of stream, river, and waterfall soS ) R d p yunds with close and distant perspectives. Dig into more than 3 hours of high quality material to finz [ U od theH – t ( perfect water sound.
ANY SOUND WATER CAN MAKE
No matter if you’re searching for trick; Q / E 1 I % w ules, babbles, guU 3 # Y B 9 D Z prgles, glugs, roars, splashes, surges, swishes, booms or some gentle water SFX, you’ll find it in this great and well-selected collection. This library offers a complete kit to produce whatever stream, river, or waterfall sounds you may need.
GET TA v d . b | 3 ^ *HE SURR5 [ ? ?OUND EXPERIENCE
Surroun( K / vd ambiences are the closej A O # 4 c ; v /st approach to nature’s true aA + Lnd original vivid sound. Once given the opportunity to unfolJ J yd their true a` J q ` 7coustic potential, these fabulous 5.0 surround recordings will surely keep you from accepting any less in the futu* ) F 6 W % [re.
WHAT WE RECORDED
FLOWING WATER is the fourth SFX library from our series of highF * ! @ j | a quality and amazing nature recordings by Emmy-winner and nature recording geniud H J h R I } X Ds Gordon Hempton. Hempton has searched the globe for mor4 * ! x re than three decades to recoO \ A R M g nrd@ # d Y | nature at its most pristine.
ENVIROV \ I V * o N I CNMENTAL ACTIVIST & EMMY-WINNER
All of the nature sounds in the QUIET PL\ 4 5 .ANET Nature SFX series were recorded by Gordon Hempto= j 1 @ ~ 9 3 @n, The Sound Tracker, Emmy-winner, author of OneR S p 0 k Square Inch of Silence, and environmentS U o g z $al activist. Faced with habd ` P y 1 $itM ! G ; Y h ^ T lat loss, species extinction and most of all unbridled noise pollution, Hempton has now turned his attention towards savin. a o C J I Y +g the world’s few remaining natural` U 2 ! ! w b amphitheaters.
COMPATIBLE SOL 5 e * | / C B lFTz : I A F S e f DWARE
BOOM Library sound FX comD \ M k ^ X 5 G He as WAV files, meaning you caI h 3 w . 1n import and work with tO 5 = D i M ; 9hem in any software that can handle this file type. Here are the most common audio and video editing software toolf ? } B M js that work perf, } E 6 e Vectly wib Q i Tth our sound FX.
RICH METADATA EMBEDDED
To provide you with the fastest and easiest workflow possible, alV d ! D W $ h H ?l f[ z ^iles contain extensive metadata like file description & keywords to quickly find the sounds you’re looking for. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metK / p ? tadaR V ] rta.