P2P | Stereo: 11.04 GB | Surround: 43.93 GB

SEASONS OF EARTH
Our planet has a fascinating sonic spectru. : @ sm, and every season, nature offers us an impr` 9 = q G `essive and multi-faceted sound c( X Z . aomposition. We have recorded the most interesting and iH i * % oconic amN F { kbiences the only way that truly reflects theF j r ? i } a 4 sonic charar 2 % F hcter of Earth as precisely as possible: Usinv : N ag the unparalleled Schoeps ORTF3D Surround Set. Harness these first-rate sounds to shape your prH D % f P 5 b N &ojects in the most authentic way possible, from the g# 3 [round up in0 O o L r [ ! ; 3D Surround.

WINa y v % ! _TER
As the sun retreats to lend vast landscapes their spectacular appearance, an equally astounding sonic world emerges.
Now available in immersivm _ .e 3D Surround.

ENTER A NEW ERA OF SURROUND SOUND FX LIBRARIES
SUITABLE FO( K { +R ANY SURROUND APPLICATION, EVEN AND ESPECIALLY IMMERSIVE AUDIO LI4 z 7 T qKE AURO 3D, DOLBY ATMOS, 360 VIDEOS AND VR

Our sound effect series 3D SURROUND continues a new era of surround sound FX librariesR 5 / f ( with unprecedentedI O ` p ( a = precision, spatial impression and clarity. 3D Surround delive3 ) ! B $ e ]rs better results where conventional surround technii z k & ` 1ques reach their limk z uits. This occurs especially, although not excx o $ y G tlusively, in VR, where events must sound 100% convincing depending on the rotation and tin H # Klt of the user’s head. With our new 3D SURROUND series, you are ideally equi. 5 ) D Vpped for not only VR, but any other applB z R a + * \ i ;ication that require{ j { L +s high-definition and crystal-B P V y | a X ]clear surround sound.

WHAT IS SO SPECIAL ABOUT 3D SURROUND
3D Surround has two enormous advantages over conventional surround sound. On the one hand, individual sound sources c| 4 f ) Han be located much better and moL k Z ] C D ^ }re clearly with 3D Surround. On the other hand, 3D Surround also reflects height differences much better. This results in a more extensive and much clearer sound image in a quality that cannot be achieved with conventional surround sound.

THE 3RD DIMENSION – SUITED FOR VR@ ^ G j o G & DOLBY ATMOS
3D Surround adds a height l` ( Kayer? ( H % j as a third dimension compared to regular surround. The sound no0 Z j + l Mt only reaches the listener’s ear from the side, but also from above. This results in a muq t l | Y w X f 1ch better localF ] f u o G xisation of the sound source and a much more immersive l. 8 Zistening experience w? 4 q 3 h [ 2 ` Zhich makes it the perfe4 l m z 3 V *ct surround type for VR applications and Dolby Atmos.

RECORDED WITH THE MOST ADVANCED TECHNOLOGY
Our 3D SurrO ) : O G zound libraries are recorded with the highly-acclaimed SCHOEPS ORTF-3D setup, a cuboi% h / 3 2 }d 8ch level/time difference ambience setup. The main bc j @ ~ % 3 ]enefz P G l c }it is an additional height layer compared to regular surround recording setups. It consists of 8 supercardioid microphones.

The height layer offers a much wider range of spatial sound effects and a more realistic three-dimensional reproduction. Therefore, it provides a clearer representation of spatial de; # 8 T ) \ o Upf J $th, a more natural surround impression, improved envelopment, and an authentic feel.

NATURE’S PRI? G | #STINE AMBIENCE IN YOUR PROJECT
As snow covers the vast landscapef O J e ] 7 a K % and wildlife adapts to the harsh conditions, the ch6 : T @ h Y 9aracter of the sur7 t ] ^ [ k xroundings audibly changes.

Calm breezes, chilling tonal wind, the[ + b % b G d c F faint so0 . D { 4 Q Sund of trickling snowflakes, freezing rivers recorde{ O y 4d at various distances, biting winZ W . h Hter storms and subtle animal acti& 8 R Uvity. This and more awaits you in thW = C i h y +e stunning collection of ambient sounds compiled in this library.

SET THE STAGE FO& e e . , 0 PR EMOTI_ Y y 6ONS
Whether you are looking to ease your audience into a blissful escapist nature documentary or raise the suspense in a bitterly cold finale, Seas2 = b ^ . Tons of Earth – Winter leU u n 7 l y ^ fnds i= j u z _tself beautifully to any envisioned s– J 5 g l qcene.

While iR E 3 [ 1 ]t supplements? z x h T existing dialoguD a v 2 f / = p We, music, narration or sound effects very well, it also sounds excellent on its own – for example when opening a scene before other audible cues set in.

COMPATIBLE SOFTWARE
BOOM Library sound FX come as WQ J $ \ r 9 % B 9AV files, m6 n I A ; g L .eaning you can import and work with them in any software that can handle this file tyG s }pe. Here are the most commo@ * O O l H \ [ Nn audio and video editing software tools that work perfectly with our sound FX.

RICH METADATA EMBEDDED
To provide you with the fastest and easiest workflow possible, all files containD ! 8 $ u extensive metadata like file descriptiY x e N 9 h ( _on & keywords to quickly find the sounds you’re looking for. Metadata can be read and processed by audio maS K V fnagement tm u V Z ; L aools. Some digital audio workstations feJ _ 4 J B j sa4 9 W 1 % $ture an included search tool that can also read embedded metadata.

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