P2P | STEREO: | 11.35 GB | SURROUND: 28.96 GB

WATER CLOTHED IN VEGETATION – A UNIQUE ACOUSTIC ENVIRONMENT
RIO 0 E ; a ( MPARIAN ZONES are one of the 15 terrestrial biomes that characterize the Earth’s thin green mantle. They border strer \ P ] \ Cams and rivers.W ] ( These soundscapes are characteristically diverse and rich wr L C q 2 ! D n Qith reflections, providing wonderful opportun4 @ M @ities for sound designers to attract audience attention as well as take them on a sonic journey.

SONIC DIVERSITY – INCREDIBLE RECORDING QUALITY
Increa7 # _ A N h { ] Csed available water at the edges of streams and riversJ ) | ( n 7 X 0 allows for plentiful plant growth, resulting in ad– # / k * R B m Pded food and shelter, whichT l + J, iH 0 / P $ l , xn turn, increases wildlife diversity and translates into greater sonic diversity. An added plus is higher humidity. Humid atmospheres are more elastic than arid atmospheres and therefore propagate sound faster and more clearly to your microphones, r~ t ] 0 o / d iesulting in excellent sound quality.

EXCEPTIONALW U ] . N 2 8 : ) REVERBEV \ p 9RATION
From a sound designer’s perspective, these lush and varied locales also often feature a uni} ^ @ \ k Hque tubular echo due to overhanging vegetation and the landforms cut by the flowing waters. FactorM 0 e w in the mg W H m :uch higher biodiversity than in adjoining habitats and you can generally co; a : \ aunt on mesmerizing soundscapes that will delight y@ ` b w Uour audiences.

GET THE SURROUND EXPERIENCE
Surround ambiences are the closest appr, t U \ ( –oach to nature’s true and original vivid sound. Once given the opportunity to uH T { 8 o $nfold their true acoust} 7 ; xic potential, these fabulous 5.0 surround recordings will surely keep you from accepting any lesd n 9 B J J As in the future.

WHAT’S SO SPECIAL ABOUT 8 ST THIS LIBRARY
All life needs water to survive, and peE e 3 M e dople are no different. As soon as your audience hears water, they will instinctively want to get closer to the sound source, and then even closer—but only to tl b 1 Zhe point that the water sounds don’t mask faint sounds and thereby compromise security. Do the math and listen to our latestd C 7 U _ 7 library RIPARIAN ZONES by SoundX p O v h r 2 # Tracker and nature recording genius Gordoi ^ {n Hempton.

ENVIRONMENTAL ACTv 8 N x C !IVIST & EMMY-WINNER
All of the nature sounds in the QUIET PLANET Nature SFX series were recorded by Gordon Hempton, The Soun% L 7 Z = – t ] Dd Tracker, Emmy-winner, author of One Square Inch of0 K 0 w ] Silence, and environmental activist. Faced with habitatK T : + f \ l loss, species extinction and most of all unbridled noise pollution, Hempton has now turned his attention towards saving the world’s few remaining natuh w ;ral amphitheaters.

COMT F @ h C g i / =PATIBT C u Z F $ l 1LE SOF$ ? f S c FTWARE
BOOM Library sound FX come as WAF s –V files, meaning you can import and work w/ 5 E ^ } f 5 Yith them in any software that can handle tH 0 t Z 9his file t. 3 bype. Here aU C zre the most common audio and video editing software tools that work perfectly with our sound FX.

RICH METADATA EMBEDDED
To provide you with the fk x | bastest and eas} | } % | T % b #iest workflow possible, all files contain extensive metadata like fileM P P K : ] O 4 description & keywords to quickj 7 ) cly find the sounds you’re looking for. MetadL X $ g C wata can be read and processed byF 9 q / * y H audio management tools. Some dg & \ $ #igia 5 I | z j Xtal audio workstations feature an included search tool that can also read embeH U Z f 6 H G , *dded mz z z 8etadata.

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