Surround: P2P | 17.08 GB | Stereo: FANTASTiC | 5.48 GB

CANYONS NATURE SOUND FX – PERFECT FOR FASCINATING AMBIENCd D ? 6 ; \ES
This pristineB + i collection of 135 carefully mastered recordJ V i gings from the American West, made wiq N + – Y g – %th state-of-the-art equipment, offers a complete kit to help you meet your most demanding needs, day or night, calm or windy conditions. Re( , } # _verberant birdsong Check. HaunC k ( E k 2ting coyote chorus Check. Soft murmur of evening insects Canyons on T ! ? 0 1 =ffers a treasure trove of new o( 7 @pportunities.

BEAUTIFUL ECHOES FOR ABSOLUTELY A6 E 2 s B t b qUTHENTIC AMBIENCES
Can_ Q ?yons have bright reflections and a deep resonant ez i J = w ycho, making them a Holy Grail for nature sound libraries. The key to using Canyons to produce compelling sound designs is paying attention t8 f Xo the echoes as they vanish into a seemingly never ending space, allowing them to change and tra~ Y } # g f + Znsform as they flow down a rock-wallW G 5 r 3 G S A Oed corridor to ultimately disappear belR Z 0 e Vow the threshold of hearing.

GET THE SURROUND EXPERx s Y zIENCE
Surrou7 ; I J . Xnd ambiences are the closest approach to nature’s true and original vivid sound. Once given the opportunity to unfold their t[ } e ) ) M , erue acoustic potential, these, S , x ` i 5 F 8 fU i i – o Iabulous 5.0 surround recordings will surely keep you from accepting any less in the future.

WHAT WE RECORDED
We made use of some rM q L m 7 Veally rare and vintage but also modern and unique analog devices such as the Ampex AG-44_ ; b # + a 5 { |0 analog tape recorder from 1969, the NED Synclavier, Yamaha CS-60, Rhodes Chroma, E-Mu EmulatW * . L bor II, – just to mention a few of them.
He# 1 Q o c ] m C }re are some of the devices we recorded to design the uniqq B G i s ^ [ue sound we had in mind.

ENVIR4 3 7 ^ e t $ONMENTAL ACTIVIST & EMMY-WINNER
All of the nature sounds in the QUIET PLANET Nature SF= ; = q = 4 N | =X series w2 % | O Tere recorded by Gordon Hempton, The Sound Tracker, Emmy-winner, author of One Square Inch of Si& S z d elence, and environmental activist. Faced with hab| D 1 iitat loss, speB U I . K C 3 YciesE n Y ~ ! z 5 extinction anF 2 L p $ : ,d most of all unbridled noise pollution, Hempton hA ~ ! 3 j ]as now tur+ H d ! +ned his attention towards saving the world’s few remaininj h 8 ~ Q g / ; Yg natural amphitheaters.

COMPATIBLE SOFTWARE
BOOM Library sound FX come as WAV files, meaning you can import and work with them in any software[ { q that can handle this file t{ { &ypc ^ !e. Here are the most common audio and viB n edeo editing software tools that work perfectly with our sound FXM 9 + \.

RICH METADATA EMBEDDED
To provide you with the fastest and easiest workflow possible, all files contain extensive metadata like file description & keywords to quickly find the sounds you’re looking for. Metadata can be read and processed by audio management to. x m ko0 – a 3ls. Some digital aus A V L 7 3dio workstations feature an included search tool_ ; p { D Y ] b ( that can also read eme 2 D p bbedded metadata.

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