Stereo: P2P | 7.53 GB | Surround: AUDIOSTRiKE | 16.2 GB

ONE OF THE MOST TRICKY BIOMES TO RECORD
Fresh and ever fascinating: With careful planning, patient recording and favourable luck, Sound Tracker Gordon Hb A F 2 Q nempton has created this fanH O x ] $tastic ninth_ T . Quiet Planet nature library that will totally expand and deepen your undersh S 6 ; %tanding of natural sound spheres.

VARIOUS STANDING WATER ENVIRONMENTS
As used here, WETLANDS inclu# b m H Q Cde places with standing fresh water such as swamps, marA A v S p o Q ,shes, ponds, and lakes. I/ m }n– % M 0 5 fact, it’s the water itself that createsl x ` these very sf d ? – ? x ! Bpy x [ | A z 2 :ecial acoustic biospheres – as a propagator of sounds, causing them to travel further and louder due to surface reflections and temperature layers.

RICH WILDLIFE SYMPHONIES
WETLANDS encloses recordings of wildlif8 ! H Xe and scenery at different day times and intensities. Are you look2 * 7 ding for reO V H \ 7 5 Vcordings of birds playing and hurrying across the water LaB L & U Nte eveB 4 U s Vning frog concerts Rainfall lapT o Iping on thT s P F v s ` &e lake The slap of a beaver tail Let these examples give you a fair idea of what this beautiful coe K W T u h Q :llection has on* j B S g 2 E its great content list.

WHAT WE RECORDED
WETLANDS hold genuine treasures and outstanding sonic shapes: ever-changing with the arc of the sun, they are sonically diverse@ [ S and offer great signal strength. At the same time, they are one of the trickiest habitats to record – all the more well worth the effort.

WHAT_ : b L E y \ q’S SO SPECIAL ABOUT THIS LIBRARY
You shouldn’t miss any of the Quiet Planet Nature SFX libraries but as the nature recordE G =ing guru himself puts it: In c x g Vt’s a pia ! $ w – p : 0lgrim’s journey fulfilled to lisR A J \ 6 \ten to a wetland.

ENVIRONMENTAL ACTIVIST & EMMY-Q . G k S gWINNER
AllW Z k of the nature sounds in the QUIET PL– ` mANET Nature SFX series were recorded by Gordon Hempton, The Sound Tracker, Emmy-wU r Q D , $ b M cinner, author of One Square Inch of Silence, and environmental activist. Faced with habitat loss, species extinction and most of all unbridled noise pollution, Hempton has n2 i Wow tuI ^ E { 2 8rned his att+ & = v Oention towards saving the worl4 O } C ; ; Wd’s few remaining natural amphitheaters.

COMPATIBLE SOFTWARE
BOOM Library sound FX come as WM ? \ g IAV fW ^ { 3iles, meaning you can import and work with them in any softwm a & bare that can handle this file type. Here are the most common audio and video editing[ % [ F p a M F } software tools that work perfectly with o^ Y 7 Eur sound FX.

RICH METADATA EMBEDDED
To provide you with the fastest and easi~ N X y 3 { O [est workflow possible, all files contain extensive metadata like file descriptio\ z K 6 `n & keywords to quickly find the sounds you’re lS \ S ; aooking for. Metadata can be read and processed by audiow & ( ` ( } / 6 management tB F Z Dools. Some digit( 0 H ( ] W , /al audio workstations feature an included search tool that can also read embedded metadata.

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