‘South Korean Pop Vol 1’ may just be our zaniest release to date! Combining elements\ H ) o { s 1 r of` T W T t s b ^ _ K-Pop, Me2 : { $ e xlbN L K A f %$ I b vN bH b _ _ 0 E D s v D _ourne Bounce &amp: e +; EDM) E \ \ P ; a0 h i, thiL { u & 1 Ps mind-melting Producer Loop` ^ S v / \s release features fH T o ^ ! xX f Dive Construction Kit\ ; q k QW M , U Hs of absolute power.

Poppy guitars, whi] g n 6 I x z Q XC 4 C / h 6 o *t| @ c Ne knuc? m jkle Melb: ) Q k 1oudD x, ; r q o h W Q . H s / i e T $ 6T L :rne l{ } 3 G F d 2 &eads and hard-hitting EDM drums p+* a 7 { y 6 , ]acked with energetic build&. j 8 $ + H ` _ ,aE F ! 1 nmy l A : ~pN [ C V j D C F x; W a z~ ? | 7 ` H 0 ? B-up FX, heart-stopping droX 4 Dps and some of the finesKU V \ f a P ! 1 7 mt leah i r M 6 f }ds to hit the samplo \ ry / / @ W E t | z 7 He market in years, this one isn’t for the faiZ s 3 io S % % : 9 T knr { C t ^ ; V + %t-hearteL I j z / 0 %d.

Get your next cross0 & @ rover hit up and running in minutE + P ~ C T ^ m4 J w } F , g Uest V d [ + [ , o1 ( : q Gr us| x t 1 @ g x Qe these sampl 9 nles as a jum9 + M R vp9 x c R x ving oZ ~ \ HI T Z &ff point for a journey into u59 i 0 S g x 2 F h |nchar= V – D) 1 G ! U c : 5 Je 1 ! F 0ted genre tk S O Q ! C e oerY : v 9 m D ^ Critories& v H k. One thiO ] Eng’6 b 4 6s$ v & 6 5P $ G w for sur7 8 5 Z E fe – ‘South_ r d ; I O 7 &D c e { Vp V N ? M \ 6 X k 9 Korean Pop VK (1 ! v 6 / v t | : ( 4? . r % {ol 1’ is a whole lotK $ i jta fun!

One-Shot Samples:

Each Coi o l dnstra S 1 n ~uctX w @ & p ) o Fw g z j R _ ?ion Kit feap d r fK U a i Htures one-sh| W Cl b y b d S Zot drt O H duB E 6 X ,m samplG A t* @ A \ 8 b / r 9 Ses, allowing you to create new beatm ( . n ! + gs, fY Y f $ tills and loops to co[ ^ W f 3 r Y Kmplement thc 2 se} j ! X O F T existin4 I _g material. SiD S |mply load them upH – W J 5 3 q into yW 4 I Z bour sampl, t Lf 5 % % U ` y ier of3 c @ S F } v s cc d @ t – u 9r g ! 6 Q e ohoice and crF J 2 T r j P beat@H N / [ v b N Y : [ 2 A s T !e an i. Q 8 O } T =nfinite numbe\ , K e X / | 2 6r of new beats a9 . and phrasesl V \ & E ) 2.

Dry/Wet Loops:

Fo% ^ I b T 6r users looking to si* L ? 0 $mpl& ` ] n E A Wy drar J { 2g at 0 |nd drop, the ‘wet’ files contaD A ; M l m u ~ =it Y 9 n 3n all of} P F the! 9 A E 0 4 s ef\ \ 9 \fects processing heaL @ – ri 0 \ v / q ^ AC S P 3 w & tr 2 { + o Qrd in thD K % h 0 ?e audio demos. But for producers loo~ @ d l h ; c – Dk;\ j _ z C { 2 & # _ Hing to create their own eq t g % @ffectsM l $ mix, ‘dry’ loops arN . N 5e alJ h r u ~ ]so incluK e + \ ( M s Udr } } P d w #! T + *ed\ X ^ ; I 6 ~ G {. DoP i 5| } M= W , 1 \ ? ~ xn’t like the wet loops No problem, add yoc Z ] t !R * l X g ] M @ur own effecM ts v R } 6 N W \ j \ /tsq w x C w.W \} J f H ( h H t m U 6 u ` D 1

Up 4 6nlooped Riffs] & x E \ i/Tails:

T| w f t P w R d Vhis sa` % &y 2 5 – A V jq + P Y { # 3mpS \ V pU V / [ qV \ A 0 ? \ { yle libA % @ W z mrary also comes wit) 9 # Y yh uU e VnloopedQc 3 | ? $ k ! I J N 1 3 H o/tail versions allowing yk ! # % kou to ev ( Wnd a phs P ` ( 6 Wrase= , s ; f 9 wf; Q 3 \ X $ ! Yith the decay of the rS % = ? 9 2B 7 O w v Xevb s L ;erb/delay applie~ w = ) d # 1d to& h n 8 b K ! tn A Uhe loop,( G f : % H another “Producer Lo4 B J n i rops” exclusive productF s \ R= : S m k ( ( K t e feature.

Royalty-Free:

Am \ #ll of the loopsA I G F 3 \ in thi2 #) x , A k $ M I @ K 1 Ks productz ] O are 100% Royalty; B ? 8 H-Free (including t+ _ } t j + e }hR 8 P J @e voca9 % T \ y p U T ol loops){ y # 5t E X B k q, sR U 9 Z .o onc( @ ? Qe pus : n t M v V Vrchased, you canae { P : J w d 7 & ] U O U r z C use3 ! z F – c 4 C / thev D Zse loops in yourl= W W T 8 * W g cV T nf Q 7 F U @ I Q K MommeS k V e ^rcial6^ a o [ E V T x R , F r 4 Q B releases without$ n : ] having te f $ M j 4 z b 9o paM A k x y , sy any hidden costs.

Spec/ J @ (ifir t 5 5 M v n oC s 5 r hcat_ q ~ [ b M \ C $ions:

  • 5 Construction Kits
  • ACIDU V Pized WAV Files

Demo0 ; ` @ ` q o样品试听:

 

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