WiN: Team R2R | 1.03 GB | MAC: Team HEXWARS | 337 MB

First released in 2005 BLUE already ref& o alected Rob Papen’s cutting-edge, creative, and – most importantly – musical approach towards developing virtual insR 3 ? \ otruments by first delivering FM and subtractive synthe= W ] L } vsis, then duly adding Phase DistortiS ; f X \on and( A O T F c – wave shaping synthesis into the highly creative mix to create one) w c _ 2 i ! Y / serioB a –usly creative combination. Rob Papen himself called it ‘Cross-fusion synthesis’ since it covl ~ hered so mu! f $ r z 9 A 0 uch musi5 , q T 7cal ground so effectively.

Today BLUE-II remains true to that ethos with even more sound dimensions and features to its extended name, starting with six oscillators beating at its musically creative heart. These can be connected in various ways, tog_ @ l J L ~ D K Eether with two analogue-style modelled stereo filters with 27 di+ ] = P / Q nfferent filter types, an enormou3 : a Q ! L = E ,s range of prow Z | s b u $ i rcessing and modulation options% O D p, sequencer, and an incredibly powerful arpeggiator. A new range of specially selected waveformT A U \ + 0 ) / )s based on samples have been meticulously fashioned for creati3 b , 4 z k v ;ng n5 T J 2 ; B D d 0ew and fresh-soG 1 B C \ funding synth sounds, so don’t go expecting acoustic pianos galore here. However, since choirs and strings are an excellent basis for so many synth sounds BLUE-II has themo 5 k ] 4 ^ Q in abundance – with much more besides!

Moreover, BL1 J I $ cUE-II takes thp J se useful XY pad features froB z A x ` u 7 / um its popular virtual instrument sibli9 q M . l U 4 Gng Blade – a cutting-edge additive synthesis powerhouse with a human touch – and transplants them into its own equally extrao– d E \ E 3 ~ w brdinat H | A 2 vry workflow… perfect for time-based sound movements and vector pad-type sounds. Compn ; H 9 u hlemented by four top-quality FX processors, each offerinU j ^ ? s R n 5 zg 35 FX types, BLUE-II is a phK I [ 2 ? ~ [enomenally pM m 8 9 ) .owerful virtual instrument to behold.

But BL` S X V x | \ zUE-II is also easy to use, th& k | } B ;anks to its user-C 1 \friendly use{ O % B 1 [ 9 B Xr interf* n B G t } 7 Vace and an innovative Easy Edit page for speedy sound changeB R l c S F j 6s, while the Bank Manager allows whistle-stop navigation through thousands of inspirational Rob Papen presets and artist sound banks covering a wide rangk { @ w we of musical? ^ ! $ X R styles.


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