WiN: Team R2R | 81 MB | MAC: Team R2R | 65.4 MB

Most people probably listen to your mixes on earbuds and headphones. It’s the perfect setup for blowingx ^ X J their minds with musiD w L f N Pc in 3D—if only a plugin could do that.

Well, prepaW s V nre+ H S e to enter the third dimension! dearVR music breaks the shackles of stereo and planar surround sound to8 m E tub 0 Drn your DAW into a 3D virtual reality powerhouse. No advanced engineering chops are needed. LoaB 0 Wd dearVR music ontoK H * ) a track in your mix and choose one of 18 pristine virtual acoustic presets. Then simply drag your mouse around in the plugin’s i? _ ] s ~ Entuitive interface to position the t] V arack virtually behin$ { h v { ad or] % N C T f # . in front of the listener, above or below their head, to the left or right,V a G C l _ J i { closer or farther away—at any angle and distance in a 3D soundstage—fot w s w x h : hr mind-blowing playback using conventional stereo headphones.

With dearVR musicq E m 6 s, you create a virtual, three-dimensional world in which yV 7 6 Gour singers and musicians sit—or roam around in real time. Move each track inside any of 18 virtual acoustic envi_ 1 B 5 r T ]ronments—& 8 ^ 0 dincluding a concert hall$ P w / x !, church, stage, drum room and more. Your DA% h 5 ~ U &W’s automation records y^ 6 – =our moves in real time. Each environment is instantly and ind1 u 0 } Lepe5 3 3ndentll , 9 A c ^ C ; ^y recaH Z t ! | U + v Tllable per pB + K , z O 7lugin instance, letting you place each track in a differenY 7 l Zt space. You can even change the shape and dimensions of each virtual space using controls that adjust its size, damping, and balance of early reflections and diffuse reverb.

dearVR music also outputsB – Q 3 – T @ v W the highest quality 3D audio in 4-channel Ambisonics format, used in soundtracks for 360-degree YouTube videos. Watch your trendsetting 3D mixes go viral on social media, as you literally run circles around your competition. Don’t need it to be 3D dearVR music’s beautiful virtual environments can also be used like conventional reverbs in stereo format, doubliny Y 4 og their usefulness for music production. And mouse-dragging your track inside those beautiful spaces using the plugin’s graphical XYZ pad is way fasi c ] l } 1ter, easier and simpler than setting up an aux, effects send, pa~ % R . p gn controls and wet/dry balance for a reverb plugin in your DAW.

Need more options and pow4 g t z M $ # [er For pW X aros working in virtual reality or augmented reality, Dear Reality’s state-of-td * I 4 i che-art dearVR pro plugin offers an extended control set, nearly four dozen virtual acoustic environments, virtual reflections that respond in real time to changing positionL ~ : [inK ] ] k 8 – S e Sg, an| I , {d many more output format5 \ 0s to choose from.

dearVR muu b a a s hsic is your streamlined entryway into immersive media audio production. Get out of your head.

Fea3 } ] M 3 7 4tures

Mix an# – g Wy stan\ n ` % 2 U A 9 ;dard multitrack session as an immersive 3Dr r E soundscape with binaura[ 6 [ | 6 z } .l output for headphones
Position and move tracks in real time with 360 freedom in as N 9 ? D w J Q J virtual 3D enviro# & l I g ;nment using a graphical XYZ pad or separate sd % ) : a y p Iliders for adjusting the trd o Z 0 8 #ack’s azimuth, elevation and d\ V 7 W / ~ 5 ]istance to the liste3 ! n S ; h F q wnv _ X \ ver
Includes 18 virtual acoustY – i x ^ Nic environments, each independently recallable per pluginy 6 N ; f = instance
Controls for virtuaE 2 r i Bl environments adjust their size, damping and balance of early reflections and dif) – + h , t Vfuse reverb
S% a Q p | j M wupports 2-channel binaural (for head_ 4 Gph9 H E G $ R Cones), 4-channel Ambisonics (for YouTube) and stereo playback formats