AUDIO PRODUCTION, BROADCASTING, POST-PRODUCTION AND MASTERING WITH SEQUOIA Sequoia is one of the leading software solutions for accla, U m W i Q iimed studB a k 2 i mios tB | bhat focus on audio production, broadcasting, post-production and mastering.

MASTERING As mastering engineers, combining preciN k ( e Esion, efficiency andE Q k d creative craftsmanship with extraordi– ; \ H Jnary ideas is what we do. That’s why Sequoia iv L n X qs a trueU C y 3 c icon when it comes to masteris – ` Ong. With a unique object editorT y f, detailed phase and peak meters, high-quality plug-ins and native audio restoration, the software fulfils all professional demands.

AUDIO PRODUCTION The success of a complex audio produ[ m p * – 9ction depends on each and every detail and nuance. With this premise in mind, we’ve develc ? C ( h u 3oped features for source destinaL } R q w t Q ktion cut and multi-synchronous cut. This allows you to combine different concW ; Iert recordings into a singlp q * / # n |e whole in the blink of an eye.

BROADCASTING Time is a decisive facto, $ ` , e rr in broadcasy a ; Z = )ting. For tv X M w ! Hhis reason, Sequoia os # u } , 2ffers direct connection to broadcast CMS and automation systems. Thanks t\ L 5 +o the powerful audio eb I x ~ngine, you can edit material duri! 6 Bng a livZ ? Ae recording and sent to a broadcast station with a slight delay.

POST-PRODUCTION SequoB q o : Uia is a constant in an ever-changing industrV + 9 z Fy. This is due on the one hand to the software’s high stability and reliability, on the other to the cloF H W bse collaboration between our team of develoo * V $pers and recoZ t 9 H grding studios, TV stations and broadcasters. With these industry connections, we’re in the know – so this lets us focus on developing and bringing to the me _ w 6 R I Aarket feature4 \ n ] l W 4 {s that are actually needed in post-production.

Mix your material in 3D audio channel formats with up to 32 channels per traco V Q [ Y 3 f `k.

3D Surround Panner The new clear view in the dialog allows for intuitive control whD C 4 q O den positioning highs in virtual sound sources. The poU 3 Qsitioning of the spatial axis can be a5 H % | h Putomatized in both track and object. New VBAP positioning mode (“Vector Base Amplitude PT 5 u C \ n .anning”) enables users to create Surround setup phantom sources with2 B N j S m high sound localization acuity. VBAP can be used independently of the n+ & 5 n ( r D ^ Tumber of virtual speakers and in eitG P ] l / _ ; S kher 2D or 3y n 3 @ – #D setup. Surround tracks Sequoia 15 supports the use of any numbR 9 a T L d 4 Wer of Surround masters in a single project, and up to 32 channels perk R Q B m u / { track. The Surrol ] v ; K X W T xund mastex [ Cr can now be downmixed to the stereo master.p c d E _ 7 LevelZ w c 3 components for Surround channel[ i Y T es can also be freely determined.

Automation lanes Aur v O _ l b ! n 0tomatT d F H U 7 hed track parameters such as volume, panorama or VST effect parameters can be displayed and operated in lanE y q ] B E $ Aes inside an audio track. The control elements in the track header offer lots of options for operating and switching theD b ! D [ [ parameters.

Automation lanes Automated track parameters such as volume, panorama or VST effect parameters can be displayed and operated in lanes inside aT z W T B fn audio track. The contR i \ F % ] Arol elements in the track header offer lots of options for operating and switchiZ Z r @ qng the parameters.

Multiformatexpor T N J Drt The export dialo` K . 2 . E : :g box in SF D *equoia 1x c S c x I5 now also offers simultaneous export of audA e \ W R i D :io material in multiple Surround formats as w] y e 0 8ell as ofI ? * , { – various codec con# @ Dfigurations. All export s^ # o rettings you create can be saved as presets.v e 1 G b x Plug-in browser Fast access to all effect and instrument plug-ins. The workflow h} Q 3as been designed to ` F p / 6 X Z So enable– ` y U % users to locate and start working with a plug-in faster than ever before, oU = 9 Wnly using keyboard commands.

32-core CPU suppoN [ : q j /rt Multi-core operation in Sequb ( : j .oia 15 has also been improved ad / { * i –nd supports up to 32 CPU cores. The option to boost ASIO priority hasU b ~ 7 M also been integrated, which can be used to maxi= z K c l 0mize CPU usage for the program.

MIDI ed0 K Y Citing functions MIDI functP O a q P D 1 gionality in Sequoia 15 has been significantly enhanced. In ad3 7 ~ 2 ) adition to optimized plug-and-play behavior for external MIDI devices, there’s also a new MIDI parameter editing tool. Selected events can be moved, stretched or compressed in any way.

Advanced compatibility with Avil ~ F I { 4 E _ id$ c [ % Pm V 9 5ro Tools | S6 controllers Sequoia functionality with Eucon S6 has been improved, for instance wavefo, O V N n @rm display is now possible for audio tracks. Sequoia and t\ V ; Z + 7he S6 controller communicate via the ethernet} 4 Z-based highF 0 r n speed technologQ ! U p 6 u r [y, EUCON.